An activist organization has claimed to have harvested millions of tracks from Spotify and is getting ready to release them online.
Possible Impetus for AI Training
Industry experts said the seeming data breach could aid artificial intelligence firms searching for data to train their models.
An entity called Anna’s Archive reported it had obtained 86 million audio tracks from Spotify and 256 million rows of metadata such as performer and album names. The company, which carries more than 100 million songs, stated that the leak did not represent its full catalog.
“We have located and deactivated the nefarious user accounts that engaged in illegal scraping,” said a Spotify spokesperson.
The Stockholm-based company, which has more than 700 million users worldwide, added that an inquiry into unauthorised access found a third party collected public metadata and used questionable tactics to bypass DRM [digital rights management].
Archive's Stated Goal and Concerns
Spotify does not think the music acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is known for providing links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
They claimed the music files accounted for 99.6% of all music streamed to by its listeners and would be shared via ‘peer-to-peer networks’, a method of exchanging large digital files online.
“Naturally the service doesn’t have all the music in the world, but it’s a fantastic start,” commented Anna’s Archive, which frames its mission as “safeguarding humanity’s knowledge and culture”.
Model Development and Copyright Battleground
Ed Newton-Rex for defending artists’ copyright, said the breached music would probably be used for developing artificial intelligence systems.
“Training on illegally sourced material is sadly widespread in the AI industry, so this accessed music is almost certain to be used instructing AI models,” he stated.
The Anna’s Archive site alludes to a large online archive, a vast online archive of copyrighted books that has reportedly been leveraged by the parent company of Facebook to train its AI models.
A founder of an AI startup wrote on the professional network that individuals of the public could in theory “build their own private free equivalent of the service”. The executive said it could also allow tech companies to “educate models on modern music at a large volume”.
Copyright has become a battleground between artists, writers and creatives on one side and tech giants on the other.
Policy Proposals and Reactions
In the UK, creative professionals have protested against a government suggestion to let AI companies utilize protected work without permission unless the rights holder signals. Almost every participant to a government consultation on the proposal has supported artists’ apprehensions.
The secretary of state for technology, innovation and technology informed parliament this month there was “little consensus” on the issue, adding that ministers would “take the time to get this right”. The government has committed to make policy proposals on AI and copyright by next year.